Pop Culture Chronicles

Superman of Earth 23

I enjoyed the return of the Earth-23 Superman in the latest Action Comics, vol. 2, # 9. He was introduced in the mini series Final Crisis 7 (2009) in which all the Supermen of the multiverse came together against a common threat.

On Earth-23, Superman is President of the United States and also black. In Action Comics we learn of a potential controversy surrounding his place of birth. This echoes the controversy involving Obama's birthplace which is nothing more than his political enemies grasping at straws. While some did not appreciate the parallel to the Obama controversy, I thought it was well done. Imagine the uproar if it were discovered that a President was born off planet.

The Earth-23 Superman's alter ego is Calvin Ellis. It took me a while to realize that this name is derived from Kal El. I'm slow like that sometimes.

It was good to see the return of Earth-23's Wonder Woman, who is also black, and Ellis' assistant, Courtney. I'm glad that not every concept introduced in Final Crisis was scrapped with the coming of the New 52. Once a new Multiverse was introduced in the 52 series, DC published a list of earths cataloged thus far. Earth-23 was not yet on the list, and was not yet named as such in Final Crisis. I look forward to a complete catalog of Earths in the new 52 universe and I suspect there will be 52 of them.

The multiversal take on this story was underscored by the appearance of the Lois Lane and Clark Kent of yet another parallel earth. We haven't met these folks before and the Kent of this planet is not Superman. I look forward to more back story on these characters. And it was great to see the use of the Superman robots on Earth-23 which caused me to reminisce about some old Silver Age stories. Overall, I was pleased with Action Comics # 9 and I hope the title can be a place to introduce even more Supermen of the multiverse.   

The New 52 Review

The rebooting of the DC universe has so far been a huge success. DC Comics released 52 new first issues in a massive relaunch last September. In a prior post I had mentioned my reservations along with some enthusiasm for the new direction.  Now that we're five months into the new 52, here are my reflections:

Superman - I've always thought of George Perez as an artist and he is one of the best. But this book proves that he can also be an awesome writer. I like the fact that there is a lot of dialog. It takes me longer to read this title than any other, so I feel I'm getting more than just a picture book. It's deep and not fluffy. With the Daily Planet being purchased by Morgan Edge and the Planet staff adjusting to the mass media market, including Lois' promotion, it strikes a chord of reality with so many that have to constantly change with the times in the workplace. Characters, like Lois, must make hard ethical decisions in this book. The Clark and Lois relationship is back to its traditional formula. Clark likes Lois, but he doesn't seem to be on her radar, except as a co-worker. The exceptional art also makes this book worthwhile.

Action Comics - While relaunching Superman, in some respects Grant Morrison actually returns the Man of Steel to his roots. A younger and less experienced Superman whose alter ego, Clark Kent, is working for the rival publisher of the Daily Planet while getting to know Lois and Jimmy. I'll keep the Superman titles.

Supergirl- They haven't ruined Kara after all. The stories are great and you can sympathize with the character. I do wish she had a more modest costume though, especially in light of this character being a minor.     

Batman - With at least four relaunched Bat books and at least that many more Batman-family titles, I had to be financially responsible about which titles made my pull list. I began with Batman, Batman and Robin, Detective Comics, and Batgirl. I have so far dropped Batman and Robin and Detective Comics. I found both titles too gratuitously violent. I dropped All-Star Western for the same reason after just one issue. I don't mind some action in my comics, but with people being hanged, skinned alive, and knifed in the first couple of issues I'd had enough. I felt that this was gore for the sake of gore. Agreeing with several online reviewers, I don't think it was just me. If more of us simply stop purchasing when the product isn't doing it for us, maybe DC will get the message. Comics are too expensive for us readers to purchase anything that is short of awesome. 

As for the Batman title, I have been enjoying it up to the fifth issue which I did not feel moved the plot forward at all. It was good, however, to see Robin show up at the end and find out that maybe the little cuss has a heart in there after all and is concerned with his senior partner. The different format for the panels on several pages was also a nice touch, helping us to experience Bruce's surrealism along with him. 

Batgirl - I still think that if they were going to take Barbara out of the wheel chair that they should have done a hard reboot of the entire universe, wiping the slate totally clean. But so far the stories have been really good. I look forward to each issue because I wonder what's going to happen. I actually care about the character. This is how comics should be written. I'd heard about the great writing Gail Simone does and I am convinced. The art by Ardian Syaf is very good. And Barbara Gordon actually has a personal life. I like that.

Justice League - I love almost everything about this book--especially the team of Geoff Johns and Jim Lee. The witty dialog, the humor, the way characters are drawn and introduced, the plot itself. This book has everything going for it. If I could only read one DC comic a month, this would be it. 

Batman: Year One

I collected a good number of the Batman titles from 1983 through 2003. I stopped reading, however, in about 1987. So now I'm catching up. Here are some of my impressions:

Batman: Year One - (Batman # 404-407, 1987). This story by Frank Miller with art by David Mazzuchelli redefined the Batman mythos. Here is the definitive post-crisis origin tale confirming Batman as the Dark Knight, distancing him further from the campy 1960s TV series and the 1950s sci-fi era. It's fairly consistent with Dennis O'Neil's run as Batman writer in the 70s and O'Neil just happened to be serving as editor during Miller's four-parter.

I can see where this story influenced the movie Batman Begins. We have police lieutenant James Gordon, before he was Commissioner, a good cop fighting corruption in a big city police department. Bruce Wayne has just returned after twelve years abroad preparing himself as the supreme crime-fighter and vigilante of Gotham. Also, like the movie, the police surround Batman in an abandoned building where he uses special technology to summon the bat population.

The gritty realism is what I've always liked about Batman since the O'Neil days. I prefer to see him fighting gangsters as opposed to members of his rogues gallery. In this story a highly trained, yet inexperienced Batman struggles his way through. The human element comes through in Gordon's relationship with his wife and his detective partner.  

This story, since reprinted in hardcover and various trade paperback editions, is one of the best Batman stories ever. I felt as if I was watching a movie while reading this truly suspenseful comic. I love Batman in any incarnation, but the Dark Avenger of the Night is how he was meant to be from the start. 

Now here is some good news. Batman: Year One is going to be a made-for-DVD animated movie released later this year.    

Pull List / Reviews July 2011, part 2

My previous post listed the DC comics on my current pull list. Here is what I'm reading from Marvel:

Marvel 

All-Winners Squad: Band of Heroes # 1-2- This 8-part limited series is set in World War II, so it's right up my retro alley. A group of super-powered heroes join the army and are led into battle by Captain America. These include Timely heroes The Young Avenger, Invisible Man, Merzah the Mystic, and others.

Even Slow Motion Jones returns. He was the African-American sidekick of the Whizzer back in the Golden Age. He previously appeared in the first issues of USA Comics and All Winners Comics in 1941. In those days Slo-Mo was a racial caricature, but is now re-introduced as an intelligent super-speedster, faster than the Whizzer himself. His re-introduction is handled much like that of Whitewash Jones, renamed "Washington Carver Jones" in The Young Allies 70th Anniversary Special published in 2009. The Golden Age appearances of these African-American heroes are explained as the fictitious comic portrayals they really were, effectively striking the earlier versions from Marvel continuity. 

The new All-Winners story is told in retrospect by the alter ego of the Young Avenger, now in his 90s. He explains how Timely Comics was employed by the U.S. military to write fictional propaganda about his army buddies. The latest issue has a scene taking place in Martin Goodman's office as he sends for his nephew, Stanley. So cool! I love this series.  

FF # 1-6- I heard great things about Jonathan Hickman's run on the Fantastic Four, but I didn't want to jump into the middle of something I knew nothing about. So with the first issue of FF I thought this might be a good jumping on place. I wasn't completely up to speed with the threads that had apparently carried over from the Fantastic Four series, but I was piecing things together through the first five issues. I was especially sold on the Steve Epting art in the first three issues. I love it when artists draw people who look real. Epting's versions of Spiderman and Susan Richards is how these characters should always be drawn. By the fourth issue, however, it seemed that Barry Kitson had taken over the art chores. I wasn't as crazy about his art, but it's been growing on me. 

So along comes issue number 6. What? The FF doesn't even appear in this issue. It centers on an alien race called the Krees and the Inhumans who descend from a segment of the primitve homo sapien population of earth gentically engineered by the Krees. When the Inhuman city Attilan was attacked by the Krees, led by Ronan the Accuser, the Krees were defeated by Inhuman leader, Black Bolt who subsequently became ruler of the Krees. Black Bolt has since died, but FF # 6 is the precursor to his return. 

What this has to do with the current storyline is that Attilan is one of the four cities among whom four Reed Richards of alternate earths are trying to incite war which will (somehow) enable them to return to their own dimensions. The Future Foundation (FF) has assembled the most intelligent of the Fantastic Four's enemies in an effort to stop the Reeds.  

Issue 6 has yet another artist, Greg Tocchini. I wish this series would settle on an artist for the sake of consistency. According to Marvel's website, I can look forward to Steve Epting's return in issue # 8, but only for one issue since # 9 lists Daniel Acuna as the artist. The revolving door of artists is driving me crazy, as did the major departure of storyline in issue # 6. But I'm giving this title every chance before I give up and drop it. The characterization and dialogue are indeed above average.                     

Pull List / Reviews July 2011

Here is what I'm reading these days:

DC

Flashpoint # 3- I'm behind on this, but just read the latest issue. I was determined to stay away from any more big events, but I learned that this series will be the transitional point into the altered DC Universe. Here is where (I think) the changes in the time-stream will be explained. This issue by Geoff Johns was (not surprisingly) well written with good characterization, suspense, action, and witty dialogue. It was well drawn by Andy Kubert and Sandra Hope. It seems that the Flash is working to undo some changes in the time-stream due to events that were altered by the Reverse Flash. So Flash is in some alternate reality with Thomas Wayne, who is Batman, who did not die at the hands of a mugger, and whose son never became Batman. The two team up with Cyborg to release the captive survivor of a doomed planet whose rocket-ship was never discovered by the Kents, but landed in Metropolis doing fatal damage. The survivor was then taken into custody by the government who is conducting a "Project: Superman." Okay, I'm hooked. 

Justice Society of America # 52 - So we still don't know how Mr. Terrific lost his intellect, but now we know whodunit. Two issues to go before Mr. Terrific's own series is launched and the Justice Society is cancelled. I understand that in the realigned universe, characters who made up the JSA will still exist. But there will be no JSA. Superman will again be the first super hero in this altered continuity, which in a sense goes back to DC's roots. But it seems that the Golden Age of heroes is being retconned out of existence. The JSA has so often got the shaft when it comes to these reboots, relaunches, or whatever you want to call them. Following the orginal "Crisis on Infinite Earths" Golden Age heroes who had modern doppelgangers were retconned out of existence. The remaining JSA was banished to another dimension. So what happens to the JSA now? Will the earlier careers of originals like Jay Garrick and Alan Scott never have existed? Will the original Flash and Green Lantern ever have existed? We'll see. 

One plot in the current JSA arc that intrigues me grows out of one of Jay and Alan's WWII adventures. Will a retro guy like me ever be able to accept a JSA without the Golden Age backstory? I do hope the multiverse will play more of a role in the altered universe. I'd love to see the "Justice Society Infinity" team from "Justice Society of America Annual" # 1 return, with Superman and Batman of Earth 2 alive and well. Maybe they could have annual team-ups with the new JLA. Who knows?  

I'll review what I'm reading from Marvel soon.     

Invaders Now (review)

Well, I'm back and this time hoping to post more frequently. Summer was busy. I'll start with a review of a comic that just came out last week: Invaders Now # 1 (of a five part series).

This is a great follow-up to the 12-part Avengers/Invaders and the 8-part The Torch. The comics should be read in the following order for the right chronology: Avengers/ Invaders; The Torch; Invaders Now.

Alex Ross is back again for co-plotting and covers which makes this a Marvel / Dynamite collaboration since Ross is exclusively contracted to the later. As usual, his covers are stunning. I'll miss the interior art of Sandowski and Berkenkotter (from the previous series), who I believe drew the definitive Torch (Jim Hammond) and Toro. But the art by Reis isn't too bad.

The writing has been consistently good on all the above mentioned series. It doesn't hurt that the original Vision is back to keep things moving. He is a foreboding presence who appears to be confident and in control.

An up-side to the first issue of Invaders Now is character development. I love it when comics show multi-dimensional characterization as opposed to an entire issue of fights and explosions. I especially liked the conversation between Bucky and Thomas as they walked down the urban streets sharing impressions of how things have changed since the 40s era from which they came. This is too important for a good writer to ignore and still have any sense of realism at all. Christos Gage is a good writer.  

The scene in which the young mutants are asking Jim Hammond (the original Human Torch) about Hitler is priceless. Hammond's response is not predictable, but is believeable. The creative team has not let us forget that this is a World War II team now brought together for a threat from the past that only they are equipped to handle. 

The roll call includes Steve Rogers, the new Captain America (originally Bucky), Human Torch, Toro, the Sub-Mariner, and British members Spitfire and Union Jack (Joseph Chapman). The series is off to a good start and promises not to disappoint. 

Rating: A  

Return of Barnabas Collins

You just can't keep a good vampire down! The Dark Shadows TV series has spawned many multi-media spin-offs including movies, comics, board games, novels, and audio plays on cd. In a post entitled Retro Revival in the Fall of 08, I expressed eager anticipation at the coming of Kolchak Tales Annual # 1 with guest-star Barnabas Collins.  

It was all I hoped it would be: a suspenseful story which accurately captured the mood of both the Night Stalker and Dark Shadows TV series. Both Kolchak and Barnabas were portrayed in perfect character and the artist's renditions of these characters looked like the actors who played them on television. The cover art was awesome!

My aforementioned post was mistaken when I assumed that this was the only appearance of Barnabas in comics since the 70s. It was, however, the only appearance of Barnabas in actor Jonathan Frid's likeness since the 70s. There was a four-issue comic mini-series in 1992 and 93 which coincided with the short-lived Dark Shadows revival series featuring Ben Cross as Barnabas. 

At any rate, in addition to the recent return of Barnabas Collins in 2009's Kolchak Annual, where else might the aristocratic vampire be showing up in the near future? First, Hermes Press will be reprinting the entire Dark Shadows comic book series originally published by Gold Key from 1969-1976. These volumes willl be in hardcover archives format and will hopefully be released next month. 

Second, Johnny Depp has signed on to play Barnabas Collins in a big screen version of Dark Shadows. Depp says it's a dream come true given his love for the character and for the original series. I personally cannot wait to see one of my favorite actors playing one of my favorite characters.  

Third, the entire Dark Shadows TV series is available from Netflix with some seasons in streaming video and others in DVD format. The entire revival series is also on DVD. So if you're looking for a Dark Shadows fix, help is on the way.

Pull List and Reviews (June 2010)

Here is a list of my current subscriptions and what I thought of some newer issues:

DC

Batman: The Return of Bruce Wayne This book picks up where the concluding issue of Final Crisis left off, with Bruce Wayne stranded in the caveman days. Now he makes his way forward through time toward the 21st century in this six-parter. In issue two he stopped off for an adventure involving some witch hunting Puritans, and he is moving on to a pirate's life for one issue, and then to the old west. It's interesting to see the bat-guy in all these different historical settings. History is retro.

Interestingly, Bruce has amnesia, yet his resourceful instincts aren't lacking. He is being pursued through time by Superman, Rip Hunter, Green Lantern, and Booster Gold. They have to somehow intercept Bruce before he unknowingly serves as Darkseid's weapon to destroy the 21st century, whatever all that means. I'm still not clear what Bruce was doing near the end of time unless maybe he was trying to pinpoint a position in time in order to return there and save an accused witch from hanging. Who knows? I don't totally get it, but I think I'm supposed to buy a zillion cross-overs before I do, including the forthcoming Time Masters: Vanishing Point mini-series, and several issues of Batman and Robin. It's all about marketing, but I'm not taking the bait.   

On the positive side, the cover art by Andy Kubert is exceptional. The Sprouse and Story art team did a great job on the first issue, but the Frazer Irving interior on the second didn't do much for me. I don't care for what I call the "sketchy" look, but I suppose it works well for the 17th century mood. For super heroes though, Iriving is not my favorite. In all, I would grade this series a B- but it does have potential.

JSA All-Stars The Johnny Sorrow story arc finally concluded and with some very interesting plot twists. Now we know why he appeared to be in love with Stargirl. It's great to see Atom-Smasher back with a JSA-related team. It will be interesting to see Al and Courtney's relationship develop, assuming it will. Romantic tension is good for a series. We need more of a human element in today's comics.  

I won't be missing Magog or Damage at all. I'm not sure why some characters with no JSA links to their origin are even on this team (i.e, Lightning, King Chimera, Judo-master). I wouldn't mind if they took a hike and Power Girl, Cyclone, Hour-Man, Sand, and Stargirl were returned to the mainline team. But these characters are why I keep reading. I don't care for the art though. While I don't know the lingo to be a good art critic, the lines just seem jagged and choppy to me. My grade: B-

Justice Society of America It's twenty years into the future and the neo-Nazi fourth reich has taken over America. All super heroes have been stripped of their powers. It's the day of Batman's execution in a prison camp where several heroes are incarcerated and Mr. Terrific, Clark Kent, and others are plotting their great escape. 

I LOVE this book! But what's going on? Is this someone's dream, the future of an alternate reality or parallel earth, or a failure that the JSA will travel back in time to "fix"? The next issue (#39) should be concluding this arc since the JSA-JLA crossover is coming up. So I'll be buying both titles for a while. 

This series has made Bill Willingham one of my favorite writers. The art team of Jesus Merino and Jesse Delperdang is outstanding. My grade: A 

DCU: Legacies This ten-part series which retells the history of the DC Universe is off to a great start. What could be better than a Len Wein story with the art team of Kubert and Kubert? Paul Lincoln narrates the start of the Golden Age with an appearance by Crimson Avenger and an exciting team-up of Sandman and the Atom who prove themselves to be heroic in character as well as in braun. A backup story features the Spectre and Dr. Fate with art by J. G. Jones. I like the way Inza was incorporated into the story and the art has a definite retro feel. My grade: A 

Marvel

The Torch This series concludes with its final issue in early June. Will the Torch survive and why does Thomas Raymond have the Horton cells? One of the highlights of this series for me was to see the original Torch and Toro team up with the Johnny Storm Human Torch for one issue (# 5). I can't wait for the conclusion. My grade: A+ 

Captain America: 1940s Newspaper Strip. This forthcoming 3-part series by Karl Kesel explores the newspaper strip that never was. With a story reflective of a 40s newspaper strip, I'm hoping for an age appropriate story that I can share with my kids. I'm also hoping for a fun read. 

Dynamite

Project Superpowers, Chapter Two I continue to read this, but I'm a little behind. My grade: B+  

Kid Colt One-Shot

Western action at its best with an intriguing story by De Falco including suspense, unexpected plot twists, and a flashback to Kid Colt's origin. I hope this character I recall from my childhood makes a full comeback. While rough in spots, this is a comic I would let my kids read. Although it came out a few weeks ago, and I've been too busy to blog, I did want to give it an honorable mention. You might still find a copy at some comic shops.

I did not realize until recently that the Kid Colt character has been around since 1948 when his own title Kid Colt Outlaw appeared. I believe it ran through the 70s.  

And BTW, have you ever noticed how the Western comics genre was so populated by "kids" during the Silver and Bronze Ages? Marvel had Outlaw Kid, Kid Colt, Two-Gun Kid, and Rawhide Kid. Charlton had Billy the Kid and Cheyenne Kid. I'm sure I've missed someone.   

Final Crisis: Legion of Three Worlds (A Review)

Where do I even begin? What a great story! Now I remember why George Perez is my favorite artist of all time. Books with big team-ups have always been my thing and no one does the big team-ups like Perez. What I loved about the original Crisis on Infinite Earths was the consistent pencils of George Perez, unlike Infinite Crisis, which lacked such consistency. Perez draws my favorite artistic rendering of every DC comic hero. 

This series has to be the best crisis series since the original Crisis on Infinite Earths. It is full of surprises and the ending is by no means what I would have expected. The new mission for the Legion from Earth 247, the home earth of the third Legion, and the fate of Superboy-Prime were all most surprising. I hope we can see more of these characters. Superboy-Prime, the ultimate fanboy parody, had to be a loads of fun to write. I once took this character way too seriously and was even offended by him. Now I get the joke. But like an old timer pining away over the younger generation, I can say with a sigh, "He used to be such a nice boy."

On the downside, it took DC about a year to get all five issues out. By the time I got the latest issue, I had to review past issues in order to connect all the dots. This past weekend I read the entire series from beginning to end in a couple of sittings. This is probably the best way to read this story and make sense of it, so the forthcoming trade reprint should be very welcome. 

Long live the Legion! And long live the Multiverse!

For more on this series, see my previous review of the first issue.  See also Mark Engblom's April 4, 2008 post over at Comic Coverage, anticipating the release of this series. Be sure to catch our dialog on Suberboy-Prime in the comments section.